New York Times: Two New Works of Fiction About Mass Transit and a Daring Female Pilot

New York Times: Two New Works of Fiction About Mass Transit and a Daring Female Pilot

The New York Times gets their hands on David Duchovny’s newest book Miss Subways and share their thoughts.

By Sam Roberts | May 2, 2018

“Even now, I can sit in the subway, and look up at the ads, and close my eyes, and there’s Miss Subways.” Mayor Edward I. Koch once recalled. “She wasn’t the most beautiful girl in the world but she was ours. She was our own Miss America.”

Most New Yorkers probably don’t remember those eye-catching girl-next-door photographs. They were conceived by J. Walter Thompson to make the adjacent placards leased by Walter O’Malley’s advertising agency for soap, beer, cigarettes, soda, liquor and laxative companies more inviting.

David Duchovny, the New York-born actor, was just a teenager when the last of the Miss Subways was crowned. He is best known for his television roles as Fox Mulder, the F.B.I. agent in “The X-Files,” and Hank Moody, the novelist in “Californication.” But in his third novel, “Miss Subways” (Farrar, Straus and Giroux), he demonstrates unequivocally that, to paraphrase the actor Chris Robinson who portrayed Dr. Rick Webber on “General Hospital,” he not only plays a novelist on TV, but is one.

Literary snobs can rest assured that Mr. Duchovny’s academic credentials are impeccable. He earned a bachelor’s from Princeton and a master’s from Yale, both in English literature, and started a doctoral thesis on a subject that Hollywood agents must be salivating over, “Magic and Technology in Contemporary Fiction and Poetry.”

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New York Times: David Duchovny’s Truth Is Out There, Between Covers

New York Times: David Duchovny’s Truth Is Out There, Between Covers

New York Times interviews David Duchovny about the inspirations behind his new novel, Miss Subways.

By Maureen Dowd | April 28, 2018
I’m a sucker for a man who reads Yeats. So I’m bound to like a man who bases his novel on an obscure Yeats play.

“When I was at Yale in graduate school, a friend of mine brought me to see a play that the undergraduates were doing and it was ‘The Only Jealousy of Emer,’” David Duchovny recalls one rainy day over lattes at Tavern on the Green. “It’s a verse play, so it’s kind of unwatchable. But I got the gist of it, which was a very cool wager about love, and it stayed with me forever.”

Naturally, since this is Fox Mulder of “The X-Files,” there’s a supernatural element and a parallel universe. And since this is also Hank Moody of “Californication,” there’s some drinking and womanizing, too.

In the Ulster Cycle of Irish mythology, Emer and the warrior hero Cu Chulainn fall in love and marry after trading cryptic riddles.

The Yeats play conjures a moment when Cu Chulainn inadvertently kills his own son in battle and then, distraught, begins fighting “the deathless sea” and almost drowns. A demonic Irish fairy, called a Sidhe, appears and offers Emer a cruel bargain: If she gives up her fondest hope that the warrior will tire of his mistress — also at his sickbed — and grow old with her, the fairy will let Cu Chulainn live.

“He’ll never sit beside you at the hearth,” the Sidhe tells Emer, “Or make old bones, but die of wounds and toil, on some far shore or mountain, a strange woman beside his mattress.”

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NME: David Duchovny Q&A: Tom Petty, The future of X-Files, #TimesUp and his own sweet, sweet music

NME: David Duchovny Q&A: Tom Petty, The future of X-Files, #TimesUp and his own sweet, sweet music

By Leonie Cooper | March 15, 2018

Hello David! Music is a relatively new string to your bow – what made you start making it?
“I just always loved music and had wanted to play an instrument and found myself with some time about six or seven years ago. I was like, ‘fuck it, I’ll teach myself how to play guitar’, and just sit in a room and learn some chords and sing along to songs that I like, like the way any child would do but I happened to be in my 50s when I did it.”

What were those songs that you were playing along with?
“’The Weight’, ‘Wish you Were Here’, classic ’60s rock, stuff that I grew up with, a real return to my roots.”

How does the new album differ from the first?
“I think musically it’s more sophisticated. The first album is more country rock or folk rock or whatever, more stripped down, even though there are a couple rockers. But this one is more like… I love ‘”Heroes”’ by Bowie, can we give a vibe like that to the song? I love Fleetwood Mac bass and drums – can we kind of have the airtight feel to the song? Stuff like that.”

‘Every Third Thought’ – why name the album after that track? Why is that track so important?
“I don’t think it is so important, I wanted to call the album ‘Stranger In The Sacred Heart’ but people were afraid that people would think it was a Christian album! But ‘Every Third Thought’ I think as a phrase it’s kind of strangely evocative and good and as you probably know by your accent, it’s Shakespeare. “Every third thought will be on death” I think is the actual quote but in the song it’s kind of like on another person. It’s a little bit about obsession or not being able to move on, I kind of like it.”

Read the full interview here